Best Picture Winners: Terms of Endearment

I'm sure that a lot of women have a tumultuous relationship with their mothers, and this movie is no different. In fact, it is the epitome of that, in the case of Aurora and Emma, the mother and daughter of the movie in question.

That movie is Terms of Endearment, Best Picture of 1983, starring Shirley MacLaine, Debra Winger, Jack Nicholson, and Jeff Daniels. It spans 30 years of their relationship as Emma gets married and has her own life, she always talks to her mother and Aurora can be very difficult, but she just cares so passionately that it can be overwhelming. 

We see Emma (played by Debra Winger) go through marital problems with her husband Flap (Jeff Daniels) and thinking that he is cheating, so she becomes close with Sam Burns (played by John Lithgow) only to find out that her husband is actually not doing anything. 

So as the movie goes on, we just see Aurora and Garrett (who is the next door neighbor played by Nicholson) start a relationship and while he is someone who isn't really the commitment type, he commits to Aurora and is there for her when Emma is in the hopsital with cancer. Who ends up dying and Flap says that Aurora can take care of the kids. 

In the end, while it is sad because she dies, we see the joy and the love for Emma and for the family shown in different ways. That is what makes the movie so special I think. 

Best Picture Winners: One Flew Over the Cuckoo's Nest

Jack Nicholson has won three oscars, and each performance he plays eccentric and neurotic characters, but in One Flew Over the Cuckoo's Nest, one of the few motion pictures to capture all the top Oscar prizes, he's only acting crazy.

Set in a mental asylum in the early 1960s, somewhere in Oregon, Nicholson's Randal Patrick McMurphy has all the trimmings of a character born to be rooted for. The patients in the ward are so narcassistic it would only take a particular brand of confidence to break them from their shells and that is just what he aims to do, it just won't be easy...

The first task (and pretty much the main task through the whole film) is dealing with Nurse Ratched, played by none other than Louise Fletcher who is a star in her own right. Her gentle disposition makes her really creepy because she is so calm and mellow, masking the fact she's the ultimate control freak. While she is doing her job, the guys, with McMurphy's help, rebel against her. Some of them were afraid, but Cheswick had a fit and wanted his cigarettes. He was tired of her rules and stood up for himself. This was perhaps the first of several small yet important victories against the head nurse: An action taken by one of her usually docile patients and inspired by McMurphy.

An important scene is when McMurphy, after Cheswick's tantrum, crosses the line by breaking into the Nurses' station to get the cigarettes, partly because he just couldn't take his shouting anymore.

Also when he was trying to get everyone to raise their hand so he could watch the World Series was great and Chief raised his hand! That was awesome. He was my favorite by the way. I liked that he was acting deaf and dumb the whole time and he wasn't.

Their friendship was really nice and the fact that at the end, when Chief hugged him and said "I'm not going without you, Mac" was very emotional. And then he suffocated McMurphy with the pillow, which I didn't understand at first, but I do now.

Chief told him that he wasn't going without him, but Mac didn't really understand anyway because he had a lobotomy and his brain was fried. So Chief just killed him out of mercy. And then he took the big sink... the one that McMurphy had attempted to lift earlier on... and threw it out the window.

At this point the patients (especially Christopher Lloyd's character, Tabor) all cheered for the Chief. It was as if he was doing it for McMurphy because he wouldn't be able to anymore.

McMurphy, at least in his mind, might have been the one who flew the nest, but Chief was the one that ultimately got free.

It was really nice seeing McMurphy really get these men to stand up and realize they aren't crazy, and that they can do things like fish and play basketball.

One Flew Over the Cuckoo's Nest, based on a novel by Ken Kesey and directed by Milos Forman (who would win another best director Oscar for Amadeus in 1984) really shows how asylums were back then, and what they did to people and how truly frightening they were. It is definitely an important film and i'm glad that I was able to experience it.