So every since I first saw Breakfast at Tiffany's (and I had to see it a few times before I really understood the whole thing) the scene in the taxi has been one of my favorites. I just love how Paul is the only one who really sees Holly for who she is, he loves her and he's trying to convince her of that. She doesn't want to be put in a cage or belong to anyone and he is just there like don't you get it? She doesn't want to be tied to one person, but she does want to marry that millionare. She's afraid to really open herself up and Paul telling her that he loves her scares her. I love how after he throws the ring in to her she starts crying and puts it on and then goes and finds the cat and they kiss and embrace at the end with Moon River playing in the background. It was really a turning point for her because she realized by being with him and telling a lot of her problems to him that he is her happiness, he is who she wants to be with. It's just one of those great scenes in romantic comedies that really makes the whole thing worthwhile because here, you've been rooting for these characters from the beginning of the film and then once the guy or the girl just lets it out and says how they feel you can't wait for that final kiss or embrace that gives the story a happy ending. :)
I just think it's such a real scene and Audrey acted it so well, she was great in the role, despite her thinking that she was overcast for it. It will always be considered a great scene for me and one that I will always think of when I think of Breakfast at Tiffany's.
Paul Varjak: You know what's wrong with you, Miss Whoever-you-are? You're chicken, you've got no guts. You're afraid to stick out your chin and say, "Okay, life's a fact, people do fall in love, people do belong to each other, because that's the only chance anybody's got for real happiness." You call yourself a free spirit, a "wild thing," and you're terrified somebody's gonna stick you in a cage. Well baby, you're already in that cage. You built it yourself. And it's not bounded in the west by Tulip, Texas, or in the east by Somali-land. It's wherever you go. Because no matter where you run, you just end up running into yourself.
[takes out the ring and throws it in Holly's lap]
Paul Varjak: Here. I've been carrying this thing around for months. I don't want it anymore.

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